Cinematic Rescores, Vocal Production & Instrumental Works
String quintet, bass clarinet, and live electronics. The piece unfolds as a loop that never truly evolves, instead becoming increasingly distorted over time to represent the character’s cycle of non-decision and existential stagnation.
Special Mention at the 11(th) Film scoring Competion "Luciano Vincenzoni".
Prepared piano, prepared cello, brass ensemble, choir, steel percussion, and industrial sound design. Stereo downmix from original surround master.
Composition for three female voices (Part I), cello and live electronics (Part 2): based on the poetry of Miklós Radnóti "Hetedik Rcolga".
"Oh! Mio Cor" (Handel) – Recomposed
A reinterpretation of the Alcina aria. Inspired by the compositional language of Max Richter, this project blends the rigor of Baroque music with the textures of modern minimalism.
Coexisting soundscapes.
An exploration of the duality of desire through sound. The composition blends acoustic recordings of voices and piano processed with natural elements, organic synthesis, sonar and cetacean song. Through a more or less human-like vocal style, the music describes that fatal attraction to a 'light' (or sound) that promises elevation but leads to destruction.